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Resident Evil Should Continue Poking Fun at One Infamous Chris Redfield Moment

Regardless of being one of the iconic horror gaming franchises of all time, the Resident Evil sequence would not normally take itself too severely. Whereas current entries like Resident Evil 7 and Resident Evil Village have positively targeted extra on the horror a part of survival horror than its rapid predecessors. They’ve nonetheless had their wackier moments, and for probably the most half, Capcom absolutely embraces these cheesier moments, usually brazenly pointing at them with a tongue-in-cheek tone.


Whether or not it is the over-the-top nature of campy villains like Albert Wesker or bombastic motion set items that do not in any other case match with the sport’s tone in any respect, the Resident Evil franchise can get fairly goofy, and there is one notably notorious sequence involving Chris Redfield that is transcended the sequence to change into one in every of gaming’s most iconic memes. And it is a meme that future Resident Evil video games ought to proceed mocking.

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Resident Evil Ought to Preserve Mocking Chris Redfield’s Notorious Boulder Punch Scene

Resident Evil 5 Chris Redfield punches boulder

Of all of Resident Evil‘s wackier moments, the Chris Redfield boulder-punching sequence is by far probably the most notorious. Coming proper on the finish of Resident Evil 5, Chris Redfield finds himself inside an lively volcano, trying to place an finish to Albert Wesker’s world domination plans. Alongside the best way, Chris runs into a big boulder blocking his path and decides probably the most logical plan of action is to start out punching the boulder, with gamers having to mash buttons in a quicktime occasion to take action.

The Resident Evil franchise has had loads of absurd moments, however for a lot of followers, particularly on the time, this boulder-punching sequence took issues only one step too far. This second grew to become one in every of Resident Evil 5‘s most iconic sequences, and it shortly gained notoriety amongst followers. Finally, this sequence reached sufficient infamy to change into a meme, and a preferred one at that. In newer years, followers have been a bit kinder to Chris Redfield’s boulder-punching antics, viewing the sequence as extra of an epitome of the sequence’ inherently campy nature and celebrating that reality.

Even Capcom itself hasn’t been afraid of mocking the notorious scene. In direction of the top of Resident Evil Village, Chris Redfield leads the BSAA in an assault on the sport’s titular European village, proper as Ethan Winters begins a boss struggle with the mutant cult chief Karl Heisenberg. Enraged and close to loss of life, Heisenberg screams that he’ll kill that “boulder-punching asshole,” in fact referring to Redfield and the long-lasting Resident Evil second. Whereas this line brings up a good few questions on how Heisenberg would know in regards to the infamous second, it is a enjoyable little bit of fan-service regardless, and it exhibits that Capcom is not afraid of taking its lumps, and brazenly mocking them.

It has been closely rumored that Chris Redfield is ready to look in Resident Evil 9, and if that’s the case, then Capcom ought to positively make one other reference to the boulder-punching scene, simply because it does with different tongue-in-cheek references like “Jill Sandwich” and the “Grasp of Unlocking.” Although relatively than being a direct voiceline referencing the second, Resident Evil 9 may embody one thing extra refined, akin to an merchandise or weapon description or the identify of a trophy or achievement.

However the place there may be room for extra overt references is in a possible Resident Evil 5 remake. With Resident Evil 4 Remake‘s post-credits scene paving the best way for a remake of Resident Evil 5, it looks like a protected guess to imagine that followers will get to see a totally remade model of the long-lasting boulder-punching scene quickly sufficient, and Capcom has the proper alternative to make it extra over-the-top than ever earlier than, enhancing the absurdity of the second.

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